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Directed by
Paul Tibbitt | ||
Mike Mitchell | .. | (live-action sequences) |
Writing Credits
Glenn Berger | .. | (screenplay) & |
Jonathan Aibel | .. | (screenplay) |
Stephen Hillenburg | .. | (story) & |
Paul Tibbitt | .. | (story) |
Stephen Hillenburg | .. | (series 'SpongeBob SquarePants') |
Vincent Waller | .. | (creative supervision) |
Cast (in credits order) complete, awaiting verification
Antonio Banderas | .. | Burger Beard | |
Eric Bauza | .. | Seagull (voice) | |
Tim Conway | .. | Seagull (voice) | |
Eddie Deezen | .. | Seagull (voice) | |
Rob Paulsen | .. | Seagull (voice) | |
Kevin Michael Richardson | .. | Seagull (voice) | |
April Stewart | .. | Seagull (voice) | |
Cree Summer | .. | Seagull (voice) | |
Billy West | .. | Seagull (voice) | |
Carlos Alazraqui | .. | Seagull / Dead Parrot (voice) | |
Nolan North | .. | Seagull / Dead Parrot / Pigeon Cabbie (voice) | |
Paul Tibbitt | .. | Kyle / Helpful Angry Mob Member (voice) | |
Tom Kenny | .. | SpongeBob / Gary / Agreeable Mob Member / Waffle (voice) | |
Bill Fagerbakke | .. | Patrick / Male Fish / Eager Customer (voice) | |
Rodger Bumpass | .. | Doctor / Squidward / Angry Mob Member #2 / Doughnut / Squidasaurus Rex (voice) | |
Mr. Lawrence | .. | Plankton / Plankton Robot / News Anchor Fish / Mob Member (voice) | |
Jill Talley | .. | Karen (the Computer Wife) / Harold's Wife / Ice Cream Cone #2 (voice) | |
Dee Bradley Baker | .. | Sandals / Customer #1 / Fish on Bubble / Perch Perkins / Angry Fish / Maple Syrup Jar / Waffle / Ice Cream Cone #1 / Furballs / Giant Cute Kitty / Rainbow / Spotlight Guard / Angry Guard #1 / Tough Mob Member (voice) | |
Clancy Brown | .. | Mr. Krabs (voice) | |
Carolyn Lawrence | .. | Sandy (voice) | |
Sirena Irwin | .. | Computer Voice / Shocked Mob Member (voice) | |
Mary Jo Catlett | .. | Mrs. Puff (voice) | |
Mark Fite | .. | Customer #2 (voice) | |
Thomas F. Wilson | .. | Angry Customer #1 (voice) | |
Riki Lindhome | .. | Popsicle (voice) | |
Kate Micucci | .. | Popsicle (voice) | |
Matt Berry | .. | Bubbles (voice) | |
Ezra James Colbert | .. | Boy on the Beach | |
Lillian Ellen Jones | .. | Sandcastle Girl | |
Brody Rose | .. | Kicking Boy | |
Noah Lomax | .. | Mikey | |
Jesica Ahlberg | .. | Tanning Woman | |
Nina Repeta | .. | Woman with Stroller | |
Corinne Engstrom | .. | Young Woman Customer | |
Chip Lane | .. | Customer | |
Brick Jackson | .. | Customer | |
Keller Moore | .. | Older Boy Customer | |
Bailey Campbell | .. | Boy Customer #2 | |
Henry Davis Morales | .. | Young Boy with Cone | |
Nicolette Noble | .. | Surfer Girl with Cone | |
Kari Klinkenborg | .. | Woman on Sidewalk #1 | |
Lisa Datz | .. | Amy | |
Dane Northcutt | .. | Nut Vendor Customer | |
Meredith Jackson | .. | Mother with Cone | |
Ella Adele Burns | .. | Young Girl with Cone | |
Mike Benitez | .. | Nut Vendor | |
Kron Moore | .. | Woman on Sidewalk | |
Eamon Sheehan | .. | Young Father | |
Matteo Spears Satriano | .. | Little Boy on Lifeguard Chair | |
John Brown | .. | Food Truck Patron | |
David Dickson | .. | Man Eating Krabby Patty | |
Ashley Nicole Hudson | .. | ND Beach Goer | |
Amy Lynn Tuttle | .. | ND Beach Goer | |
Marian Green | .. | ND Beach Goer | |
Jake Kilfoyle | .. | ND Beach Goer | |
Dean Neistat | .. | ND Beach Goer | |
Ashley Siloac | .. | Beach Goer | |
Epic Lloyd | .. | Surfer Dude (voice) (as Lloyd Ahlquist) | |
Nice Peter | .. | Surfer Dude (as Peter Shukoff) | |
Stephen Hillenburg | .. | Baby in Stroller (voice) | |
Lori Alan | .. | Pearl (voice) | |
Rest of cast listed alphabetically: | |||
Veronica Alicino | .. | Hungry Harriet (uncredited) | |
Christopher Backus | .. | Burger Beard Senior (uncredited) | |
Knox Bentley | .. | Beach Family Father (uncredited) | |
Glenn D. Bridges | .. | Pedestrian (uncredited) | |
Tyler Burgett | .. | Pedestrian Shopper (uncredited) | |
John Carter | .. | Beach Goer (uncredited) | |
Cassie | .. | Beach Girl (uncredited) | |
Peter Chiamardas | .. | Tiki Bar Patron (uncredited) | |
Bonnie Cole | .. | Beach Goer (uncredited) | |
Chris Conner | .. | Frank (uncredited) | |
Audrey Dempster | .. | Girl Riding Bike (uncredited) | |
Cherie Dempster | .. | Balloon Vendor (uncredited) | |
Emma Dempster | .. | Girl Riding Bike (uncredited) | |
Melissa Eastwood | .. | Downtown Shopper (uncredited) | |
Kaitlyn Ervin | .. | College Coed / Beach Jogger (uncredited) | |
Derwin Frank | .. | Beachgoer on Pier (uncredited) | |
Carson Gay | .. | Beach Goer (uncredited) | |
Jeff Glover | .. | Pedestrian Shopper (uncredited) | |
Tom Gore | .. | Beach Goer (uncredited) | |
Jacob Hopkins | .. | Additional Voices (voice) (uncredited) | |
Jon M Hudson | .. | Pedestrian Shopper / Beach Goer (uncredited) | |
Quanteus Johnson | .. | Tiki Hut Man (uncredited) | |
Candice Kimbrough | .. | Beach Goer (uncredited) | |
Kenley Krey | .. | Street Vendor (uncredited) | |
Cassidy Layden | .. | Girl Playing on Beach (uncredited) | |
Michael D. Layden | .. | Boy Playing on Beach (uncredited) | |
Caspar Lee | .. | Seagull #2 (uncredited) | |
Diana Lenska | .. | Lady in Red Sunglasses (uncredited) | |
Jed Lin | .. | Extra (uncredited) | |
Nick Madrick | .. | Frank (uncredited) | |
Cheri Marcelle | .. | Beach Family Mother (uncredited) | |
Tyler McDermott | .. | College Coed (uncredited) | |
Sandra McMilleon | .. | Pedestrian Shopper (uncredited) | |
Patrick Moore | .. | Beach Goer (uncredited) | |
Brenda Moss-Clifton | .. | Witness (uncredited) | |
Dylan Naber | .. | Additional voices (uncredited) | |
Charlotte Norsworthy | .. | College Coed (uncredited) | |
J.R. Nutt | .. | Dean (uncredited) | |
Kevin J. O'Connor | .. | Beachside Inline Skater (uncredited) | |
Dean Phillippi Sr. | .. | Street Merchant (uncredited) | |
Olivia Pickren | .. | Beach Going Gal (uncredited) | |
Craig Prengler | .. | Beach Goer (uncredited) | |
Tami Prengler | .. | Beach Goer (uncredited) | |
A.J. Pulliam | .. | Boogie Boarder (uncredited) | |
Auggie Pulliam | .. | Boogie Boarder (uncredited) | |
Amy Rollins | .. | Beach Goer (uncredited) | |
Megyn Shott | .. | Beach Woman (uncredited) | |
Jason Simon | .. | Crab Customer (uncredited) | |
Beth Smith | .. | Girl Flirting with Pirate (uncredited) | |
Dea Spicer | .. | Downtown Shopper (uncredited) | |
Chris Sprister | .. | Vendor (uncredited) | |
Joe Sugg | .. | Kyle the Seagull (uncredited) | |
James Troutman | .. | Tourist / Bicyclist (uncredited) | |
Millie Wannamaker | .. | Grandparent (uncredited) | |
Claire Weinstein | .. | Witness (uncredited) | |
Andrew Wicklum | .. | Beach Goer (uncredited) | |
Brittany Elizabeth Williams | .. | Ice Cream Beach Girl (uncredited) | |
Geoffrey Wilson | .. | SUP Boarder (uncredited) | |
Trachel Yvette | .. | Pedestrian (uncredited) |
Produced by
Cale Boyter | .. | executive producer |
Stephen Hillenburg | .. | executive producer |
Jennie Monica | .. | associate producer |
Nan Morales | .. | executive producer |
Lori J. Nelson | .. | co-producer |
Mary Parent | .. | producer |
Craig Sost | .. | executive producer |
Paul Tibbitt | .. | producer |
Richard Vane | .. | line producer: additional photography/reshoots |
Hyejoon Yun | .. | co-executive producer: overseas animation, Rough Draft Korea |
Music by
John Debney | .. | (music by) |
Cinematography by
Phil Meheux | .. | director of photography |
Film Editing by
David Ian Salter | .. | (edited by) |
Casting By
Donna Grillo | .. | original casting director |
Lorna Johnson |
Production Design by
Luke Freeborn |
Art Direction by
Peter Bennett | ||
Priscilla Elliott | ||
Ruben Hickman | ||
Bradley Rubin | .. | (additional photography) |
Set Decoration by
Amanda Moss Serino | .. | (additional photography) |
Chuck Potter |
Costume Design by
Roland Sanchez |
Makeup Department
Gary Archer | .. | dental prosthetics |
Randi Owens Arroyo | .. | makeup artist |
J.C. Davis | .. | assistant hair stylist |
Charles Grico | .. | key hair stylist |
Desne J. Holland | .. | key makeup artist (as Desne Holland) |
Whitney James | .. | makeup department head |
Claudia Pascual | .. | key makeup artist |
Janine Rath | .. | hair department head |
Production Management
Kristen Caplan | .. | production manager (as Kristen Kolada) |
Renee Confair | .. | production manager: Hawaii: Additional photography |
Andrew Goodman | .. | production supervisor |
Philip Harris | .. | production supervisor |
Chul-ho Kim | .. | supervising producer: Rough Draft Studios |
Ashish Kukian | .. | production manager |
Alice Lin-White | .. | production supervisor (as Alice S. Lin) |
Jennifer Newfield | .. | production supervisor |
Peter J. Novak | .. | production supervisor: prep |
Leigh Shanta | .. | unit production manager |
Valerie Flueger Veras | .. | post-production supervisor |
John Burton West | .. | production supervisor |
Second Unit Director or Assistant Director
John Bonaccorse | .. | second second assistant director |
Lynn K. D'Angona | .. | first assistant director |
Eric Glasser | .. | second assistant director |
Mike Mitchell | .. | director: Live Action |
Carla Rose Ponzio | .. | second assistant director (as Carla R. Ponzio) |
Lisa C. Satriano | .. | first assistant director |
Jeffrey Schwartz | .. | second assistant director |
Lisandra Soto | .. | second second assistant director |
Art Department
Alexandra Adduci | .. | sculptor |
Rich Andrade | .. | set dresser |
Charles Ashworth | .. | paint foreman |
Mark Burette Austin | .. | propmaker |
Ilkay Avci | .. | props |
Mark Bachand | .. | prop designer |
Bart Barbuscia | .. | leadman: re-shoots |
Craig Michael Beck | .. | set dresser |
Parker Beck | .. | set dresser |
Sean Bernard | .. | paint foreman |
John Bromell | .. | set dresser |
Luke Brookshier | .. | storyboard artist |
Susan A. Burig | .. | graphic designer |
Mike Cachuela | .. | storyboard artist |
Lance Carter | .. | carpenter |
Monica Castro | .. | assistant property master |
Marc Ceccarelli | .. | storyboard artist |
Dianne Chadwick | .. | graphic designer |
Brett Chapman | .. | props |
Stephanie Charbonneau | .. | graphic designer: conceptual |
Doug Chiang | .. | visual development |
Emma Coats | .. | storyboard artist |
Sherm Cohen | .. | sequence supervisor |
H. Catherine Colley | .. | painter |
Allen Coulter | .. | set designer |
Joel Crawford | .. | storyboard artist |
Nick Cross | .. | storyboard artist |
Jimmy Crouch | .. | props |
Alfred Cruz | .. | background layout artist |
Dave Cunningham | .. | storyboard artist |
Aurore Damant | .. | visual development artist |
Henry Dando | .. | greens foreman |
Heiko Von Drengenberg | .. | storyboard artist (as Heiko Drengenberg) |
Craig Elliott | .. | visual development artist |
Joshua L. Ellsworth | .. | mill shop foreman |
Louie Esparza | .. | painter gangboss |
Aaron John Failing | .. | greensman |
Francesco Ferrara | .. | gang boss |
Guillaume Fesquet | .. | visual development artist |
Matt Flynn | .. | storyboard artist |
Trish Gallaher Glenn | .. | property master |
Beth Giles | .. | buyer |
Dalton Grant | .. | storyboard artist (as Dalton Grant Jr.) |
C.H. Greenblatt | .. | storyboard punch-up |
Jourdan Henderson | .. | art department coordinator: Additional Photography |
Darryl Henley | .. | storyboard artist |
Brian Hill | .. | construction foreman |
Michael Humphries | .. | visual development artist |
Tim Hunley | .. | painter |
Elizabeth Ito | .. | storyboard artist |
J. Lauren Jackson | .. | set dresser |
Jessica R. Jackson | .. | art coordinator (as Jessica Jackson) |
Tom Jones Jr. | .. | construction coordinator |
Sean Keenan | .. | on set dresser |
Craig Kellman | .. | Designed & Supervised by: Rap Battle Sequence |
Randy Kenan | .. | construction foreman |
Gerald Kern | .. | construction foreman |
Mike Khalil | .. | painter |
Tom King | .. | storyboard artist |
Derek L'Estrange | .. | prop designer (as Derek L'estrange) |
Mr. Lawrence | .. | storyboard punch-up |
Scott A. Lawson | .. | set dresser |
Rebecca Leonard | .. | signwriter |
Craig K. Lewis | .. | greens key: Hawaii |
Kevin Loo | .. | digital set designer |
Baptiste Lucas | .. | visual development artist |
Kristine Alexandra Manalo | .. | art department assistant |
Paige Matthews | .. | assistant props |
Sebastian Meyer | .. | concept illustrator |
Joshua Min | .. | concept artist |
John W. Morgan | .. | head plasterer |
Jonathan S. Morgan | .. | plasterer |
Sarah Myers | .. | set dresser |
Daniel Netzinger | .. | Assistant Props (as Danielle Netzinger) |
Todd Bryan Noonan | .. | construction foreman |
Jay Oliva | .. | storyboard artist |
Paul Oliver | .. | charge scenic |
James F. Oñate | .. | scenic foreman |
Edward V. Pannozzo | .. | construction buyer: LA only |
Greg Papalia | .. | set designer |
Howie Perry | .. | storyboard artist |
Evan Pileri | .. | carpenter |
Roger Tyson Pixler | .. | plasterer |
Sam Raykes | .. | props |
Chris Reccardi | .. | storyboard artist |
Steffen Reichstadt | .. | concept artist |
Todd Rex | .. | sculptor |
Edward Rezendes | .. | construction sculptor |
Lee Runnels | .. | greens supervisor |
David Ryder | .. | set decorating coordinator |
Chris Samp | .. | stand-by painter |
Gregory Schmitz | .. | painter |
Barbara Seinfeld | .. | standby scenic (as Barbara S. Shelton) |
Michael Shapiro | .. | set dresser |
'Polar Bear' Shaw | .. | leadman |
Larry C. Shepard | .. | paint foreman |
Shreya Shetty | .. | concept artist |
Bennet Silver | .. | set dresser |
David P. Smith | .. | storyboard artist |
Greg Spencer | .. | construction general foreman |
Connie Stewart | .. | construction buyer |
Nicole Strojny | .. | painter |
Tully Summers | .. | concept artist |
Anthony Syracuse | .. | construction coordinator: additional phography |
Steffan Taube | .. | greensman |
Eddie Trigueros | .. | storyboard artist |
Adrian Valdes | .. | paint supervisor: additional photography |
Scott B. Warner | .. | greens crew |
Michael Wells Jr. | .. | greensman |
Christopher Wicker | .. | propmaker |
Erik Wiese | .. | storyboard supervisor/head of story |
Jesse Williams | .. | construction foreman |
Kara Williamson | .. | greens |
Marcel Worch | .. | general foreman: additional photography |
Nicole Zaks | .. | set decoration buyer: additional photography |
Mark Bachand | .. | character designer (uncredited) |
Barry E. Jackson | .. | visual development artist (uncredited) |
Sound Department
Ignacio Arrojo | .. | adr recordist |
Paul Berolzheimer | .. | sound effects editor |
Devon Bowman | .. | production engineer: Atlas Oceanic Sound and Picture (as Devon G. Bowman) |
Timothy Cargioli | .. | boom operator |
Tim Chau | .. | re-recording mixer / sound designer / supervising sound editor |
Travis Crotts | .. | apprentice sound editor |
Tim Farrell | .. | sound effects editor |
Jonathan Gaynor | .. | sound mixer |
Tom Hartig | .. | boom operator: Los Angeles |
Ellen Heuer | .. | foley artist |
Doc Kane | .. | adr mixer |
Michael Kreple | .. | production dialogue editor (as Michael Scott Kreple) |
Mary Jo Lang | .. | foley mixer |
Tim LeBlanc | .. | re-recording mixer |
Mark Lindauer | .. | adr stage engineer |
Alyson Dee Moore | .. | foley artist |
Thomas J. O'Connell | .. | adr mixer (as Thomas O'Connell) |
Thomas O'Neil Younkman | .. | sound effects editor (as Thomas Younkman) |
Jason Oliver | .. | adr mixer |
Eliza Pollack Zebert | .. | adr & dialogue supervisor / supervising dialogue editor |
Mark Purcell | .. | dubbing recordist |
Elanor Rimassa | .. | sound utility |
Kyle Rochlin | .. | foley mixer |
John Roesch | .. | foley artist |
Joseph Tsai | .. | assistant sound editor |
Mark Ulano | .. | production sound mixer: Los Angeles |
Clayton Weber | .. | re-recording mixer / sound editor |
Bryon Williams | .. | dubbing engineer |
David Wolowic | .. | first assistant sound editor |
Billy Theriot | .. | adr mixer (uncredited) |
Ryan Young | .. | adr recordist (uncredited) |
Special Effects by
Dane Becker | .. | special effects |
Roland Blancaflor | .. | foam runner: Alterian |
Chris Brenczewski | .. | special effects coordinator |
William Bryan | .. | special effects |
Tony Gardner | .. | special effects |
Timothy Huizing | .. | special effects |
Melissa Jimenez Ramirez | .. | fabricator (as Melissa Jimenez) |
Michael Meinardus | .. | special effects supervisor |
Ryan Meinardus | .. | special effects |
Gerard Retulla | .. | visual effects artist |
Eric Rylander | .. | special effects foreman |
Mike Sasgen | .. | special effects crew |
Douglas D. Ziegler | .. | special effects |
Visual Effects by
Nada Abdou | .. | stereoscopic compositor |
Grant Adam | .. | lead technical director: Iloura |
Eric Adkins | .. | stop motion: director of photography |
Shane Aherne | .. | look dev: Iloura |
Carlos A. Alfaro Jr. | .. | compositor |
Nick Irving Allen | .. | visual effects coordinator data wrangler |
Erika Anderholm | .. | visual effects artist |
Dwight Angelito | .. | stereoscopic compositor |
Eduardo Arroyo | .. | digital compositor / digital paint artist |
Patrice Avery | .. | previs producer (HALON) |
Shamus Baker | .. | modeler: Iloura |
Gretchen Bangs | .. | background painter |
Nick Barber | .. | visual effects editor: Iloura |
Wesley Barker | .. | data wrangler / visual effects set coordinator |
K.C. Barnes | .. | senior visual effects animator |
Steve Barnes | .. | clean up/roto artist: Iloura |
Jordan Bartlett | .. | character rigger: Iloura |
Mark Battle | .. | stereoscopic compositor |
Ryan Bauer | .. | stereoscopic compositor: Stereo D |
Jo Ann Cordero Belen | .. | senior compositor: Iloura |
Jeannie Ben-Hain | .. | lead stereoscopic compositor |
Brian N. Bentley | .. | stereo compositor / stereoscopic paint artist |
Lalit Bhavsar | .. | render wrangler |
Sameer Bhoyar | .. | stereo compositing supervisor: Stereo D |
William Pete Bingham | .. | element quality control |
Magdalena Bisogni | .. | resource manager: Iloura |
Brandon Blevins | .. | stereoscopic compositor: Stereo D |
Jeff Bloch | .. | data coordinator |
Jonathan Block | .. | main title animation |
David Blythe | .. | stereoscopic compositor |
Mike Bodkin | .. | stereo executive producer: Stereo D |
David Booth | .. | visual effects on-set supervisor: Iloura |
Michael Brako | .. | matte painting compositor |
Danielle Brooks | .. | effects animator: Iloura |
Zozie Brown | .. | character animator: Iloura |
Paul Buckley | .. | effects animation supervisor: Iloura |
Daniela Cabrera | .. | stereo compositor |
Genevieve Camilleri | .. | sequence lead compositor: Iloura |
Eoin Cannon | .. | modeler: Iloura |
Hui Cao | .. | stereoscopic compositor |
Tom Cardenas | .. | Lidar technician |
Tasha Carlson | .. | digital compositor / stereoscopic depth artist |
Joseph Carson | .. | visual effects editor |
Samuel Carter | .. | Element QC Production Coordinator |
Mark Carver | .. | stereoscopic compositor: Stereo D |
Kiersten Casey | .. | modeler: Iloura |
Monica L. Castro | .. | stereoscopic compositor |
Jae Young Chang | .. | stereoscopic compositor: Stereo D |
Anthony Chiarantano | .. | production coordinator |
Tagui Chilyan | .. | stereo production coordinator: Stereo D |
Hyun Wook Cho | .. | head of digital composite: Rough Draft Studios |
Bryan Chojnowski | .. | previs artist |
Bradley Chowning | .. | stereoscopic compositor |
Tony Christopherson | .. | animation compositor |
Graham D. Clark | .. | head of stereography: Stereo D |
Darrell Claunch | .. | stereoscopic compositor |
Courtenay Cooper | .. | render wrangler: Iloura |
Matt Cordero | .. | stereoscopic compositor |
David Crane | .. | stereoscopic compositor |
Peter Cromwell | .. | stereoscopic compositor |
Steven Crowe | .. | stereo production coordinator |
Murray Curtis | .. | compositor: Iloura |
Samuel M. Dabbs | .. | stereoscopic compositor |
Varuna Darensbourg | .. | stereo compositor |
Rhys Davey | .. | character animator: Iloura |
Chris Dawson | .. | compositor: In House |
Kevin Desa | .. | compositor: Iloura |
Rustin Devendorf | .. | stereoscopic technical assistant: Stereo D |
Kenny DiGiordano | .. | previs artist |
Gus Djuro | .. | compositor |
Rene Dominguez | .. | lead stereo compositor |
Sam Doolan | .. | lighting artist: Iloura |
Fred Dossola | .. | stereo artist |
Steven Drew | .. | compositor: Iloura |
Brent Droog | .. | fx animator: Iloura |
Aubrey Dukes | .. | compositor |
Chris Dwyer | .. | data manager: Iloura |
Michael J. Egan | .. | visual effects artist |
Michelle Eisenreich | .. | visual effects producer: Hammerhead |
Dean Elliott | .. | lead animator: Iloura |
Christina Erdos | .. | character animator: Iloura |
Cherry Esubio | .. | accounts: Iloura |
Matt Faiman | .. | accounts: Iloura |
Alan Fairlie | .. | lead compositing td: Iloura |
Bingo Ferguson | .. | scene planner (as George Ferguson) |
Charles Fernandez | .. | depth artist |
Victor Manuel Fernandez | .. | stereoscopic compositor |
Judith Ferrer | .. | digital compositor |
Caithlin Ferrier | .. | roto/cu artist: Iloura |
Audrey Ferriere | .. | character animator: Iloura |
Christopher Fillmore | .. | stereoscopic compositor |
Les Foor | .. | lead element qc artist |
Dom Francis | .. | matchmover: Iloura |
Duncan Fraser | .. | digital artist |
Jonathan Freisler | .. | lead effects animator: Iloura |
Travis Fruci | .. | stereoscopic depth artist: Stereo D |
Maximilian Funke | .. | visual effects artist: digital compositor |
Bradley Gaines | .. | stereo compositor: Stereo D |
Mayur Gangasagar | .. | senior stereo compositor |
Nathaniel Garbutt | .. | td programming: Iloura |
Noe Garcia | .. | senior visual effects animator |
Cara Gately | .. | character rigger: Iloura |
Joshua Gengler | .. | digital compositor |
Jason Gilholme | .. | technical director: Iloura |
Matthew E. Gill | .. | stereoscopic production coordinator: Stereo D |
Andrea Giro | .. | character animator: Iloura |
Jonathan Goldsmith | .. | producer: Stereo D |
Avi Goodman | .. | cg supervisor: Iloura |
Julian Gregory | .. | matchmover: Iloura |
Jessica Grimshaw | .. | stereoscopic compositor |
Mike Gunter | .. | stereo executive producer |
Lloyd Hackl | .. | prep and roto artist: Exceptional Minds |
Shane Hall | .. | character animator: Iloura |
Tyler Halle | .. | stereo compositor |
Alex Halstead | .. | effects artist: Iloura |
Gene Hammond-Lewis | .. | compositor: Iloura |
Kevin Hand | .. | senior visual effects animator |
Aisling Harbert-Phillips | .. | stereo conversion supervisor (as Aisling Harbert) |
Kyle Hardin | .. | assistant lead compositing artist |
Dustin Hayes | .. | stereoscopic artist |
Dominic Hellier | .. | compositor: Iloura |
Chris Henryon | .. | compositor: Iloura |
Cole Higgins | .. | previsualization artist |
Ryan Hirsh | .. | lead compositor |
Aaron Hoffman | .. | lighting artist: Iloura |
Al Holter | .. | effects animator |
Huck Hur | .. | matchmove (Iloura) / matchmover: Iloura, post-vis |
Patrick D. Hurd | .. | Visual Effects Production Supervisor |
Thuan Huynh | .. | character animator: Iloura |
Justin Imhoff | .. | Lighting artist (Iloura) |
William Jackson | .. | digital artist |
David Jaffe | .. | production assistant: Iloura |
Timothy Jeffs | .. | character animator: Iloura (as Tim Jeffs) |
Samuel Jensen | .. | lead modeller: Iloura |
Hee Jung Jeong | .. | head of digital composite: Rough Draft Studios |
David Johnson | .. | Snr Character Rigger: Iloura |
Tim Johnson | .. | department manager: StereoD |
Adam Jones | .. | it supervisor: Iloura |
Justin Jones | .. | compositor |
Morgan Jones | .. | compositor: Iloura |
Corey Just | .. | compositor |
Aleks Justesen | .. | depth artist |
Steven Kaelin | .. | stereoscopic compositor |
Lindsey Kaiser | .. | creative services manager |
Ryan Keely | .. | digital compositor |
Elaine Kelley | .. | assistant manager visual effects |
Ian Kelly | .. | Stereoscopic roto lead |
Robert James Kelly | .. | fx animation td |
Neil Kennedy | .. | character animator: Iloura |
Kevin Kim | .. | fx animator: Iloura |
Linda Y. Kim | .. | stereoscopic compositor |
Mike Knox | .. | integration architect |
Zach Knue | .. | depth assistant department manager |
Prasanna Kodapadi | .. | finaling supervisor |
Hemanth Reddy Kovvuri | .. | stereoscopic compositor: Stereo D |
Alan S.L. Lam | .. | matte artist: Iloura |
Dan Larsen | .. | scene planner |
Peter Leary | .. | lighting artist: Iloura |
Grant Lee | .. | lead stereo compositor |
Jarett Lee | .. | clean up/roto artist: Iloura |
Nikki Jieun Lee | .. | stereoscopic compositor |
Paul Lee | .. | previsualization artist |
Alana Lennie | .. | lighting artist: Iloura |
Seth Lickiss | .. | stereoscopic compositor |
Adair Liu | .. | software development and pipeline: Stereo D |
Jane Lovell | .. | operations manager: Iloura |
Kevin Lynch | .. | compositor: Iloura |
Shri Bindhu Madhav | .. | finaling lead |
Brian Magner | .. | previsualization artist |
Gokul Mahajan | .. | finaling supervisor |
Ravi Mahapatro | .. | depth department manager: Stereo D |
Ineke Majoor | .. | visual effects producer: Iloura |
Carson Majors | .. | stereoscopic compositor |
Yael Majors | .. | stereoscopic compositor |
Sebastian Maldonado | .. | stereo compositor |
Jason Malinowsky | .. | character animator: Iloura |
Brice Mallier | .. | effects supervisor |
Charana Mapatuna | .. | stereoscopic compositor: Stereo D |
Pavan Maradia | .. | pipeline developer: Stereod |
Melanie Marlar | .. | visual effects coordinator (as Melanie Farley) |
Andrew Marquez | .. | stereoscopic artist |
Tony Martin | .. | stereo compositor |
Damon Martinez | .. | stereoscopic compositor |
Leath Mattner | .. | compositor: Iloura |
Kindra McCall | .. | stereoscopic depth artist |
Brandon Jay McCartney | .. | compositor |
Russell McCoy | .. | stereo compositing supervisor |
Glenn Melenhorst | .. | visual effects supervisor: Iloura |
Keith Meure | .. | roto/cu supervisor: Iloura |
David 'Joey' Mildenberger | .. | senior visual effects animator |
David Miller III | .. | compositor |
Jay C. Miller | .. | lighting artist: Iloura |
Nathan Mitchell | .. | lighting artist: Iloura |
Scott Mitchell | .. | compositor |
Sandra Mondange | .. | visual effects coordinator: Iloura |
Chris Montesano | .. | software development and pipeline (as Christopher Montesano) |
Kate Moon | .. | modeler: Iloura |
Immanuel Morris | .. | roto supervisor: for exceptional minds [us] |
Adrian Moyes | .. | matchmover: Iloura |
Carson Murdy | .. | compositor |
Scott Musselman | .. | stereoscopic depth artist |
Christopher Myerchin | .. | stereoscopic compositor QC Lead |
Lori J. Nelson | .. | visual effects producer |
Pete C. Newbauer | .. | digital effects artist |
Rajesh Nimje | .. | roto qc supervisor |
Tony Noel | .. | stereoscopic artist |
Chris O'Connell | .. | compositor |
Rodney O'Sullivan | .. | it support: Iloura |
Grant Olin | .. | previsualization artist |
Stacy Oliver | .. | visual effects assistant coordinator |
Matt Omond | .. | compositing supervisor: Iloura |
Michael Ore | .. | stereoscopic compositor |
Angel Orlando | .. | pipeline & development coordinator |
Raphael Oseguera | .. | lead roto artist |
Aymeric Palermo | .. | character animator: Iloura |
Ming Pan | .. | concept designer: Rhythm & Hues |
Foram Pardiwala | .. | stereoscopic compositor: Stereo D LLC |
Hae Jin Park | .. | head of digital system: Rough Draft Studios |
Noah Pascuzzi | .. | roto/cu artist: Iloura |
Dana Passarella | .. | stereoscopic compositor |
Demetrios Patsiaris | .. | stereoscopic roto artist |
Eion-Ray Patterson | .. | digital compositor |
Todd Patterson | .. | previs artist: Halon Entertainment |
Toby Pedersen | .. | character animator: Iloura |
Lyndsey Pendley | .. | stereoscopic paint artist |
David Jeffrey Phillips | .. | compositing artist |
Brittany Piacente | .. | stereoscopic artist: Stereo D |
Cesar Ploneda | .. | depth artist |
Erica Milena Pollack | .. | stereo compositor |
Jeremy Pronk | .. | lighting td: Iloura |
Derek N. Prusak | .. | editorial manager |
Will Pryor | .. | character rigger: Iloura / rigging td: Iloura |
Michael Queen | .. | compositor: Iloura |
Melissa Quintas | .. | stereoscopic compositor |
Justin Ray | .. | element qc artist |
Clint G. Reagan | .. | previsualization supervisor |
William Reges | .. | stereoscopic compositor: Stereo D |
Mick Reid | .. | lead stereoscopic compositor |
Leroy Riche | .. | visual effects artist |
James Robison | .. | technical director: Iloura |
Nathaniel Rodriguez | .. | stereo compositor |
Vincent Robert Rosas | .. | stereoscopic artist |
Zachary J. Rose | .. | technical support staff: Stereo D |
Simon Rosenthal | .. | head of vfx: Iloura |
Erica Yeager Rouse | .. | stereo compositor (as Erica Jean Yeager) |
Guillaume Roux | .. | character animator: Iloura |
Yeon Suk Ryu | .. | digital system: Rough Draft Studios |
Ryan Samsam | .. | animation compositor |
Yandri Sanchez | .. | visual effects artist |
Bryan Sawchyn | .. | stereo compositor |
Daniel Schrepf | .. | stereoscopic roto supervisor |
Brian Schultz | .. | lead stereoscopic compositor: Stereo D |
Stanislav Shapetskiy | .. | lead stereo compositor |
Agrata Sharma | .. | finaling coordinator |
Pippa Sheen | .. | 3d stereo & trailer coordinator: Iloura |
William Sherak | .. | stereo executive producer |
Brittney Sherman | .. | stereo production coordinator |
Sainath Shinde | .. | international production: Stereo D |
Jason Shulman | .. | previs artist |
Adnan Siddique | .. | stereoscopic roto lead |
Josh Simmonds | .. | lead lighter: Iloura |
Ajit Singh | .. | stereo compositor: Stereo D |
Kharak Singh | .. | visual effects artist |
Georgia Smith | .. | vfx production manager: Iloura |
Angela Stanley | .. | compositor: Iloura |
Jon Stanley | .. | senior systems administator: Iloura |
Nick Stein | .. | character animator: Iloura |
Cody Stewart | .. | senior depth artist |
G. Allen Stewart | .. | compositor |
Jonathon Sumner | .. | roto/cu artist: Iloura |
Yun-Chen Sung | .. | technical supervisor |
Brendan Sutherland | .. | roto/cu artist: Iloura |
Nick Swartz | .. | technical assistant |
Brandon Taylor | .. | stereo compositor |
Lewis Taylor | .. | fx animator: Iloura |
Jason Thomas | .. | stereo compositor |
Samantha Thrupp | .. | visual effects production coordinator: Iloura |
Eric Timm | .. | stereo compositor |
Quan Tran | .. | lighting artist: Iloura |
Chris Treichel | .. | line producer - north america: Stereo D |
Nicholas Tripodi | .. | animation supervisor: Iloura |
John Trotter | .. | digital effects |
Corey Turner | .. | executive stereographer: Paramount Pictures |
Josiah Van Arsdel | .. | stereo compositor |
Sherin Varghese | .. | stereoscopic supervisor: Stereo D |
Noah Vice | .. | senior lighting artist: Iloura |
Jesse Vickery | .. | character animator: Iloura |
Juvenal Vique | .. | digital paint: Stereo D |
Laura Voglesong | .. | visual effects |
Nicolaus Waetjen | .. | stereoscopic compositor |
Ghanshyam Sureshbhai Waghela | .. | stereo finaling lead: StereoD |
Andy Wakeley | .. | character animator: Iloura |
Pablo Wang | .. | stereo compositor |
Adrian Watkins | .. | matchmove supervisor: Iloura |
Matt Weaver | .. | animator |
Kelly Wescott | .. | depth lead: Stereo D |
Alexander Whyte | .. | fx animator: Iloura |
Guy T. Wiedmann | .. | 3D Editor (as Guy Wiedmann) |
Tom Wild | .. | head of production: Iloura |
Ryan M. Wilson | .. | compositing artist |
Thorsten Wolf | .. | compositor: Iloura |
Stephanie Woo | .. | stereoscopic compositor: Stereo D |
Christian Wood | .. | compositor: Method Studios |
Drew Wood-Davies | .. | lighitng supervisor: Iloura |
Malcolm Wright | .. | lighting artist: Iloura |
Dane Wylie | .. | depth artist |
Marvin Yanez | .. | stereoscopic roto lead |
Walter Yuan | .. | visual effects element qc: digital compositor |
Paolo Joel Ziemba | .. | previs artist: Halon |
Jerry Zigounakis | .. | previs artist |
Ryan Zukoff | .. | intern: Halon Entertainment |
Ruben Gerardo Alfaro Moreno | .. | visual effects (uncredited) |
Michael Anders | .. | element production supervisor (uncredited) |
Darren Bailey | .. | operations assistant: Stereo D (uncredited) |
Michael Colburn | .. | element qc compositor (uncredited) |
Vincent Defebo | .. | executive assistant: Aaron Parry (uncredited) |
Josh Handley | .. | compositor: element qc, Stereo D (uncredited) |
Edward McDonough | .. | element qc compositor: Stereo D (uncredited) |
David O'Brien | .. | stereoscopic artist: Stereo D (uncredited) |
Jovanka Placeres | .. | stereoscopic compositor (uncredited) |
Parker Smith | .. | stereoscopic compositor (uncredited) |
Johnne Tyson | .. | compositor (uncredited) |
Jeffrey Warnhoff | .. | stereo compositor (uncredited) |
Stunts
Stanton Barrett | .. | stunt performer |
Brandon Beckman | .. | stunt rigger |
Randy Beckman | .. | stunt driver / stunt rigging coordinator |
Chad Bowman | .. | stunt rigger |
Kimmy Dashnaw | .. | stunts |
Darrell Davis | .. | stunts |
Dino Dos Santos | .. | stunt double: Antonio Banderas |
Brian Duffy | .. | stunts |
Marilyn Giacomazzi | .. | stunts |
Marian Green | .. | stunt performer |
Ryan Hanna | .. | stunts |
Robert Houillion | .. | utility stunts |
Ashley Nicole Hudson | .. | utility stunts |
Aby Martin | .. | stunt performer |
Dean Neistat | .. | stunt performer |
Jason Rodriguez | .. | additional stunt coordinator |
Scott Rogers | .. | stunt coordinator |
Ashley Siloac | .. | stunt player |
Ashley Rae Trisler | .. | stunt performer |
Amy Lynn Tuttle | .. | stunt performer |
Nico Woulard | .. | utility stunts |
Camera and Electrical Department
Steve Adcock | .. | camera operator: 'c' camera |
K.C. Bailey | .. | still photographer |
Stacy Barnhill | .. | rigging grip |
Matt Bradford Dixon | .. | digital utility |
Matthew C. Brookman | .. | chief rigging technicain |
Clyde E. Bryan | .. | first assistant 'a' camera |
Troy Carlton | .. | b dolly grip |
Don Chong | .. | dolly grip |
Jay Coyle | .. | grip |
Glen Crowley | .. | rigging electrician |
T. Ryan Dodson | .. | lighting technician |
Nick Ford | .. | second assistant camera: UK unit dailies |
Scott Frye | .. | dolly grip |
Dean Georgopoulos | .. | digital imaging technician |
Bryan G. Haigh | .. | Second Assistant Camera: Los Angeles |
Matthew Haskins | .. | second assistant camera: 'a' camera |
Chris A. Herbert | .. | rigging grip (as Chris Herbert) |
Robert Hoelen | .. | grip |
Violet Jackson | .. | loader |
Willow Jenkins | .. | video assist: additional photography, Hawaii |
Scott Johnson | .. | video utility |
John Joyce | .. | camera operator: additional photography Steadicam Operator |
Sarah Kibby | .. | rigging best boy |
Chris Koch | .. | best boy rigging grip |
Bo McKenzie | .. | grip |
Ritchie Nannini | .. | best boy: grip |
Neil Orchard | .. | electrician |
Jason Osterday | .. | video utility |
Joseph Harold Page | .. | electrician |
Jamie Pair | .. | second assistant camera: 'c' camera |
Josh Quick | .. | rigging electrician (as Joshua Quick) |
Jeff Schrage | .. | rigging electrician |
Jeremy Selsor | .. | rigging grip |
James Allen Sheppard | .. | video assist operator |
Tommy Ray Sullivan Jr. | .. | dimmer board operator |
Jason Sutton | .. | techno crane technician |
Eric Townsend | .. | grip |
Suzanne Trucks | .. | first assistant camera: 'c' camera (as Suzanne M. Trucks) |
Robert Veliky | .. | second assistant camera: 'b' camera |
Jarred Waldron | .. | gaffer (additional photography) |
Michael J. Walker | .. | ultimate arm camera operator |
Cody York | .. | rigging grip |
Jayden York | .. | libra head operator |
John Zivelonghi | .. | best boy electric (additional photography) |
Animation Department
Hyun Ju Ahn | .. | animator: Rough Draft Studios |
In Soo Ahn | .. | overseas animation supervisor |
Constance Allen | .. | color stylist |
Stewart Alves | .. | animator: Iloura |
Jarrod Anderson | .. | technical director |
Laura Anderson | .. | animation technical director |
Paul A. Baccam | .. | stereo animation artist |
Kang Sook Baek | .. | digital ink & paint: Rough Draft Studios |
Jarret Ballard | .. | final checker |
Kaukab Basheer | .. | character layout artist |
Mark Battle | .. | final checker |
James Baxter | .. | animation director |
Andy Bialk | .. | character designer |
Cathy E. Blanco | .. | software development and pipeline at Stereo D |
Clint Bond Jr. | .. | character layout artist (as Clint Bond) |
Kit Boyce | .. | background painter |
Simon Bull | .. | animation technical director: Iloura |
Nick Butera | .. | animation producer |
Jay Caguioa | .. | final checker |
Bob Camp | .. | character layout artist |
Tasha Carlson | .. | final checker |
Troylan Caro | .. | background layout artist (as Troylan B. Caro) |
Kyle A. Carrozza | .. | character layout artist |
Mick Cassidy | .. | character designer (animation segment) |
Elsa Chang | .. | character designer |
Tristin Cole | .. | background artist |
Robertryan Cory | .. | character designer (as Robert Ryan Cory) |
Alfredo Cruz | .. | background layout artist |
Dave Cunningham | .. | character layout artist |
Monica Davila | .. | character layout apprentice |
Mick De Falco | .. | layout artist |
Myung Hee Do | .. | animator: Rough Draft Studios |
Heiko Von Drengenberg | .. | story artist (as Heiko Drengenberg) |
John Dusenberry | .. | supervising animator |
Adam Fay | .. | character layout artist |
Sylvia Filcak | .. | color compositing supervisor |
Johnny Fisk | .. | animation producer |
Ryan Fisk | .. | compositing coordinator |
Joel Fletcher | .. | animator |
Greg Franklin | .. | animation supervisor |
Gavin Freitas | .. | rigging artist |
Brock Gallagher | .. | lead animator |
Kevin Gallegly | .. | color modeler |
Olga Gerdjikov | .. | background designer |
Olga Gerdzhikova | .. | background designer |
Andrea Giro | .. | character animator: Iloura |
Fides Gutierrez | .. | background layout artist (as Fides Belmonte) |
Jenn Hagman | .. | lead animator |
Anna Hollingsworth | .. | lead animator |
Patrick Intrieri | .. | prop designer (animation segment) |
Laura Jackloski | .. | production coordinator |
Ok Sun Ji | .. | digital ink & paint: Rough Draft Studios |
Scott F. Johnston | .. | Digital Art Director |
Ji Young Jung | .. | digital scan & x-sheet: Rough Draft Studios |
Young-Hee Jung | .. | assistant animator: Rough Draft Studios |
Kyeonghee Kang | .. | background painter: Rough Draft Studios (as Kyung Hee Kang) |
Bo Min Kim | .. | assistant animator: Rough Draft Studios |
Eun-hee Kim | .. | assistant animator: Rough Draft Studios |
Hyunjung Kim | .. | animator: Rough Draft Studios |
Mi-jin Kim | .. | assistant animator: Rough Draft Studios |
Misoon Kim | .. | animation checker |
Sung-eun Kim | .. | background painter: Rough Draft Studios |
Timothy Jay Latham | .. | compositing supervisor |
Chang Ho Lee | .. | animator: Rough Draft Studios |
Dae Soo Lee | .. | assistant animator: Rough Draft Studios |
Eun Young Lee | .. | digital background painter: Rough Draft Studios / head of background painting: Rough Draft Studios |
Hyun Hee Lee | .. | assistant animator: Rough Draft Studios |
Hyun Ju Lee | .. | digital scan & x-sheet: Rough Draft Studios |
Jong-Hyuk Lee | .. | animator: Rough Draft Studios (as Jong Hyuk Lee) |
SangGeun Lee | .. | assistant animator: Rough Draft Studios (as Sang-Eun Lee) |
Soo Jin Lee | .. | animator: Rough Draft Studios |
Roy Vincent Mann | .. | stereo animation lead |
Scott Mansz | .. | overseas animation supervisor |
Maureen Mascarina | .. | character layout artist |
Kelly Mazurowski | .. | animation director: 'Bubbles the Dolphin' Sequence |
Kelly McGraw | .. | background painter |
Liz McLelland | .. | background artist |
Andre Medina | .. | character designer |
Martin Meunier | .. | lead puppet builder |
Sumat Mishra | .. | ink & paint artist (as Sumeet Mishra) |
Mik Yung Myung | .. | animator: Rough Draft Studios |
Ronnie Noisuwan | .. | stereo animation artist |
Chris O'Connell | .. | color team artist |
Joe Orrantia | .. | character layout artist |
Adam Paloian | .. | character layout artist |
Jun Hee Park | .. | assistant animator: Rough Draft Studios |
Yong Nam Park | .. | background painting supervisor: Rough Draft Studios |
Diego Perez | .. | stereo artist |
Kenny Pittenger | .. | background layout supervisor |
Eddie Prickett | .. | animator: Iloura |
Justin M. Rasch | .. | animator |
Dylan Reid | .. | animator |
Leonard Robledo | .. | background painter |
Maddie Sandell | .. | character animation layouts |
Ted Seko | .. | character layout artist |
Pat Sito | .. | final checker |
Alan Smart | .. | supervising animation director |
Bo Young Sung | .. | head of assistant animation: Rough Draft Studios |
Soo-Jeong Sung | .. | digital ink & paint: Rough Draft Studios (as Soo Jung Sung) |
Sa Tantivaranyoo | .. | lead character layout artist |
Rosalina Tchouchev | .. | background painter |
Michelle Thies | .. | digital background painter |
Jason Thomas | .. | final checker |
Nicholas Tripodi | .. | animation supervisor |
Ervin Tuazon | .. | stereo animation artist |
John Turello | .. | character animator: Iloura |
Brad Vandergrift | .. | character layout artist |
Oscar Velasquez | .. | production coordinator: Stereo D |
Dennis Venizelos | .. | background supervisor: Stereo D |
George Villaflor | .. | background layout artist |
Frans Vischer | .. | lead animator |
Bill Waldman | .. | character layout artist |
Vincent Waller | .. | creative supervisor |
Teale Wang | .. | color stylist |
David Ward | .. | animator: Iloura |
Mac Whiting | .. | lead animator |
Max Winston | .. | animator |
Dong-kun Won | .. | background painting supervisor: Rough Draft Studios |
Hee Man Yang | .. | overseas animation supervisor |
Tom Yasumi | .. | animation director |
Carey Yost | .. | lead character designer |
Jun Hee Yu | .. | overseas animation supervisor |
Rich Zim | .. | animator (as Rich Zimmerman) |
Audrey Stedman | .. | character layout artist (uncredited) |
Casting Department
Barbara Harris | .. | voice casting |
Marty Siu | .. | extras casting |
Costume and Wardrobe Department
Christian Cordella | .. | costume concept artist |
Rhonda Earick | .. | ager/dyer |
Maritza Garcia-Roddy | .. | costume supervisor: Los Angeles |
Erin Lambert | .. | costumer |
Simone Lepthien | .. | costume assistant (as Simone Sirbaugh) |
Shea Masterson | .. | costume supervisor |
Wendy Moynihan | .. | set costumer |
Jessica Posada | .. | costumer |
Ronnie Sanchez | .. | costume assistant |
Susan Zaguirre | .. | key costumer |
Editorial Department
Milton Adamou | .. | digital intermediate colorist |
Wenden K. Baldwin | .. | 3D post production manager |
Jason Barnoski | .. | first assistant editor |
Thomas Calderon | .. | first assistant editor |
Paul Carrera | .. | animatic editor |
Stephanie Coats | .. | post-production assistant |
Jason Dougherty | .. | dailies engineer |
Greg Emerson | .. | senior stereoscopic on-line editor |
Kayla Franklin | .. | 3D coordinator |
Ed Fuller | .. | first assistant editor |
Daniel Gilbert | .. | second assistant editor |
Mark Goldblatt | .. | additional editor |
Ken Lebre | .. | dailies producer |
Diane LeDesma | .. | colorist: dailies |
Emily Mason | .. | stereoscopic assistant editor: StereoD |
Christopher McDonald | .. | dailies operator |
Stephen L. Meek | .. | assistant editor |
Rob Neal | .. | stereo editor |
Michael Hugh O'Donnell | .. | second assistant editor |
Derek N. Prusak | .. | editorial manager |
Francisco Ramirez | .. | assistant editor |
Stephen Regnier | .. | digital workflow technician: EC3 - EFILM |
DaJuan Rippy | .. | post-production assistant |
Mark Sachen | .. | colorist: additional photography |
Adrian Scherger | .. | stereoscopic on-line editor: Stereo D |
William M. Steinberg | .. | first assistant editor (as Bill Steinberg) |
Kevin Tent | .. | additional editor |
James Thomas | .. | additional editor |
Yvonne Valdez | .. | first assistant editor |
Matt Wallach | .. | additional colorist: dailies |
Kristen Young | .. | first assistant editor |
Matt Brooks | .. | 3d database and production tracker (uncredited) |
Location Management
Laura Bryant | .. | location manager |
Stephanie Humphreys | .. | location assistant |
Beth Nelson | .. | assistant location manager |
Music Department
Helen Z. Altenbach | .. | musician |
Sebastian Arocha Morton | .. | electronic music programmer |
Jonathan Bartz | .. | music preparation |
Daniel A. Brown | .. | music preparation |
Jeff Carson | .. | music editor |
Assaf Cohen | .. | performer: Thank Gosh It's Monday |
John Debney | .. | conductor / orchestrator |
Lola Debney | .. | music coordinator |
Brad Dechter | .. | orchestrator |
George Doering | .. | musician |
Candy Emberley | .. | music preparation: as Candy Bilyk |
Luke Flynn | .. | music preparation |
Mark Graham | .. | head of music preparation |
Tom Hardisty | .. | scoring recordist |
Jim Harrison | .. | music editor |
Tanya Noel Hill | .. | music editor |
Charles Martin Inouye | .. | music editor |
Jo Ann Kane | .. | music preparation |
Kevin Kaska | .. | orchestrator |
Brian Kilgore | .. | musician: percussion |
Greg Loskorn | .. | scoring engineer |
Deborah Lurie | .. | song arranger |
Sarah Lynch | .. | singer: chior |
Steve Mair | .. | musician: double bass |
Serena McKinney | .. | musician: violin |
Aaron Meyer | .. | music preparation |
Shawn Murphy | .. | music mixer / music recordist |
Stephanie Pereida | .. | score production supervisor |
Victor Pesavento | .. | music preparation |
Jasper Randall | .. | vocal contractor |
Ryan Robinson | .. | scoring technical support engineer |
Annie Rosevear | .. | music preparation |
Peter Rotter | .. | song contractor |
Andrew Rowan | .. | music preparation |
Dan Savant | .. | orchestra contractor |
Linnea Snyder | .. | music preparation |
Erik Swanson | .. | pro tools operator |
John Traunwieser | .. | score technical engineer |
Mike Watts | .. | orchestrator (as Michael Watts) |
Joe Zimmerman | .. | music preparation |
Frank Bennett | .. | orchestrator (uncredited) |
Michael Giacchino | .. | composer: Paramount Pictures Theme (uncredited) |
Transportation Department
Terry Collis | .. | transportation coordinator |
Demoddrick Gardner | .. | driver |
Jason Geigerman | .. | dot compliance coordinator |
Brian Gregory | .. | driver: cast / driver: mr. banderas |
Chuck Martinez | .. | driver: cast |
Brett Round | .. | picture car coordinator |
Michael Ryles Sr. | .. | rigging electric driver |
Jonathan L. Scott | .. | driver: camera truck |
Jake Smith | .. | transportation captain |
Russ Tolliver | .. | transportation coordinator |
Other crew
Nathan L. Adler | .. | production assistant |
Concepcion Alicino-Saucedo | .. | production coordinator (as Concepcion Saucedo) |
David Arnott | .. | loop group |
Caitlin Atherton | .. | post production coordinator (as Caitlin Thornton) |
Alli Beckman | .. | production assistant |
Elizabeth A. Bergman | .. | 1st assistant accountant |
Blake Bertrand | .. | loop group |
Tammy Blackburn | .. | animal trainer |
Aurora Blue | .. | loop group |
Jen Brett | .. | studio coordinator |
Doug Burch | .. | loop group |
Trisha Burton | .. | script supervisor: additional photography |
Emily Cardone-Dennis | .. | production assistant |
Cathy Cavadini | .. | loop group (as Catherine Cavadini) |
Sang Woo Cha | .. | head of production finance: Rough Draft Studios |
Lanei Chapman | .. | loop group (as Lanai Chapman) |
Brock T. Charde | .. | production assistant (as Brock Charde) |
Will Collyer | .. | loop group |
Seth Cotton | .. | production assistant |
Jennifer M. Crandell | .. | production assistant (additional photography) |
Cherry Cuevas | .. | production assistant |
Monica Davila | .. | production assistant |
Tamelin Delli-Gatti | .. | stand-in |
Adam Dudek | .. | production assistant |
Joy Ellison | .. | dialect coach |
Gwen Everman | .. | production accountant |
Heidi Falconer | .. | unit publicist |
Karinil Figueroa | .. | production assistant |
Serena Rios Flores | .. | assistant production coordinator: Hawaii |
Aaron Fors | .. | ADR Loop Group: voice / loop group |
Rachael Lin Gallaghan | .. | production coordinator (additional photography) |
Angela Gunn | .. | assistant to Mike Mitchell |
Isa Hall | .. | loop group |
Robert Hall | .. | stand-in: Sandy Squirrel |
Robert Hall | .. | stand-in |
Chris Hamilton | .. | production coordinator |
Will Hammargren | .. | film commissioner |
Jonathan Hanna | .. | production assistant |
Barbara Harris | .. | loop group (as Barbara Iley) |
Cherie R. Harris | .. | assistant to Mary Parent / assistant: Ms. Parent |
Cindy Hasio | .. | beach jogger |
Ryan Hintz | .. | first assistant accountant |
Jacob Hopkins | .. | loop group |
Kelly A. Horvath | .. | set production assistant |
J. Elizabeth Ingram | .. | production coordinator |
Jamison Jaquan | .. | second accountant assistant |
Yeon Hwa Jeong | .. | senior head of production translation: Rough Draft Studios |
Michelle Johnson | .. | assistant to Mike Mitchell and Nan Morales |
Daniella Jones | .. | loop group |
Floyd Justice | .. | medic |
Vincent Elias Kelly | .. | production assistant |
Misoon Kim | .. | translator (as Mi-soon Kim) |
Marcieanna Klaustermeyer | .. | assistant: Ms. Parent |
Marsha Kramer | .. | loop group |
Christian Lanz | .. | adr voice/additional voices: voice |
Sam Lazarus | .. | production assistant |
Hyun Jung Lee | .. | head of production translation: Rough Draft Studios |
Josh Lindquist | .. | production assistant |
Warren Lindsey | .. | stand-in |
Jordan Little | .. | set production assistant: LA Unit |
Jacob Lovett | .. | superhero spongebob stand in |
Hayley Luhrs | .. | production assistant |
Gabriel Manak | .. | double: Antonio Banderas |
Jason Marconi | .. | main title design |
Maggie Martin | .. | payroll accountant |
Jeremy Maxwell | .. | loop group |
Donnie McCormick | .. | production coordinator: titles |
Gabriele McIntyre | .. | production assistant |
Emily Merl | .. | production assistant |
David Midgen | .. | titles producer |
Parvaneh Mireille | .. | production secretary |
Johnny Moniz | .. | set production assistant |
Lucas Moore | .. | studio teacher |
Daniel Mora | .. | loop group |
James Murphy | .. | production assistant |
Kevon Murphy | .. | (Chef- uncredited) |
Dylan Naber | .. | loop group |
Jonathan Nellis | .. | production assistant |
Kate Nelmes | .. | production assistant |
Steven Nyberg | .. | production assistant |
Jason Pace | .. | loop group |
Jonathan Parra | .. | production assistant |
Aaron Parry | .. | stereographer |
Alice M. Peschl | .. | assistant production coordinator |
Paige Pollack | .. | loop group |
Zach Prengler | .. | production assistant |
Alex Puccinelli | .. | loop group |
DaJuan Rippy | .. | post-production assistant |
Thomas Roberts | .. | set medic |
Courtney Roth | .. | production assistant |
Dante Russo | .. | production assistant |
Stanley G. Sawicki | .. | loop group (as Stan Sawicki) |
Claire Schexnayder | .. | assistant accountant: live action portion |
David Schifter | .. | stand-in |
Warren F. Scribner II | .. | construction medic & set medic |
Vicki Siefker | .. | Assistant Locations Manager |
Ashley Siloac | .. | visual effects production assistant |
William H. Stewart Sr. | .. | Manager of Production Safety |
Mark Ezra Stokes | .. | stand-in: Patrick |
Stefanie Swanson | .. | second assistant accountant |
Melinda Taksen | .. | script supervisor |
Christopher J. Teuton | .. | Catering Assistant (as Christopher Teuton) |
Rosana Tomas | .. | travel coordinator |
Derek Tracy | .. | 2D compositor |
Nancy Truman | .. | loop group |
Dessa Vanderhorst | .. | production assistant |
Trish Vengoechea | .. | payroll accountant |
Sara Wallace-Bennett | .. | production assistant |
Andreana Weiner | .. | loop group |
Aaron Wiltshire | .. | additional set production assistant |
Lennon Wynn | .. | loop group |
Britney Young | .. | production secretary: additional photography |
Eric K. Yun | .. | production assistant: additional photography |
Antoinette Zavala | .. | production assistant: additional |
Jud Zumwalt | .. | production assistant |
Tom Gore | .. | stand-in (uncredited) |
Kayleigh O'Connor | .. | marketing services (uncredited) |
Daniel Villagomez | .. | credits administrator (uncredited) |
Thanks
Ernest Borgnine | .. | in memory of |
The SpongeBob Movie: Sponge Out of Water | |
---|---|
Directed by | Paul Tibbitt[1] |
Produced by |
|
Screenplay by | |
Story by |
|
Based on | SpongeBob SquarePants by Stephen Hillenburg |
Starring | Antonio Banderas |
Music by | John Debney |
Cinematography | Phil Méheux |
Edited by | David Ian Salter |
Distributed by | Paramount Pictures |
| |
92 minutes[4] | |
Country | United States |
Language | English |
Budget | $74 million[5][6] |
Box office | $325.2 million[5] |
The SpongeBob Movie: Sponge Out of Water is a 2015 American 3Dlive-action/animatedabsurdistcomedy film based on the animated television seriesSpongeBob SquarePants. A stand-alone sequel to The SpongeBob SquarePants Movie (2004), it was directed by former series showrunner Paul Tibbitt in his directorial debut, with live-action sequences directed by Mike Mitchell. It was the first film to be produced by Paramount Animation and the second film in the SpongeBob SquarePants film series. The film stars Antonio Banderas and features the show's regular voice cast, who returned to reprise their respective roles from the series and the previous film.[7] This movie takes place during the ninth season of SpongeBob SquarePants. The plot follows a pirate named Burger Beard, who steals the Krabby Patty secret formula using a magical book that makes any text written upon it come true. SpongeBob and his friends must travel to the surface to confront Burger Beard and get the formula back.
The film was written by Jonathan Aibel and Glenn Berger from a story conceived by SpongeBob SquarePants creator Stephen Hillenburg and Tibbitt. Like the first film, the final act places the animated characters in a live-action world. These scenes were shot in various locations throughout Savannah, Georgia and Tybee Island. Filming began on October 9, 2013, and completed in November. The film is dedicated to Ernest Borgnine, the original voice of Mermaid Man, who died in 2012. It also marks the final film in the franchise that creator Stephen Hillenburg was involved in before his death in 2018, as well as serving the final voice role for Tim Conway, who died in 2019.
The SpongeBob Movie: Sponge Out of Water was released in the United States on February 6, 2015 and received generally positive reviews. The film grossed over $325 million worldwide against its $74 million budget, making it the fifth-highest-grossing animated film of 2015.[5]
A third film, titled The SpongeBob Movie: It's a Wonderful Sponge, is set to be released on May 22, 2020.[8]
- 3Production
- 4Music
- 5Release
- 6Reception
- 6.1Box office
- 7Other media
Plot[edit]
A pirate named Burger Beard travels to Bikini Atoll, where he obtains a magical book with the power to make any text written upon it real. The book tells the story of SpongeBob SquarePants and his adventures in the underwater city of Bikini Bottom. SpongeBob loves his job as a fry cook at the Krusty Krab fast food restaurant, where he cooks hamburgers called Krabby Patties and works for Mr. Krabs, the Krusty Krab CEO. He has spent several years prudently protecting the secret Krabby Patty formula from Plankton, the owner of a competing restaurant called Chum Bucket.
One day, Plankton attacks the Krusty Krab in an attempt to steal the formula. After a military battle involving giant foods and condiments, Plankton feigns surrender and uses a decoy of himself to give Mr. Krabs a fake penny, which the real Plankton then hides inside in order to gain access to Krabs' vault. As the decoy distracts Mr. Krabs, Plankton steals the formula, leaving a fake in its place. SpongeBob catches Plankton and the two engage in a tug of war over the formula, which magically disappears before anyone can claim it.
Without the secret formula, Krabby Patties cannot be made, causing customers to become ravenous. SpongeBob is the only one who believes Plankton is innocent and creates a giant soap bubble for them to fly away in. Bikini Bottom is immediately reduced to an apocalyptic wasteland due to the absence of the much-relied-on Krabby Patty. After a scuffle between Burger Beard and some seagulls, a page of the book is discarded in the ocean and lands on Sandy Cheeks' treedome, causing Sandy to assume the page is a sign from the 'sandwich gods'. SpongeBob proposes he and Plankton team up to find the formula. SpongeBob tries to explain the concept of teamwork to Plankton, who does not quite understand. Together, they decide to travel back in time to the moment before the formula disappeared. The two head to the Chum Bucket to rescue Karen, whom they intend to help power the time machine. They assemble the machine and end up traveling far into the future, where they meet Bubbles, a magical dolphin who acts as an overseer of the galaxy, and inadvertently get him fired. SpongeBob and Plankton succeed in retrieving the formula, but it turns out to be the fake one Plankton had left.
Burger Beard converts his pirate ship into a food truck to sell Krabby Patties at a beach community. Sandy suggests a sacrifice be made to appease the gods. As the town attempts to sacrifice SpongeBob, he and Mr. Krabs smell Krabby Patties. The townsfolk follow the scent, which leads to the surface. Bubbles returns and, revealing that he hated his job, repays SpongeBob by granting him and his sea creature friends the ability to breathe on land. Bubbles launches SpongeBob and the others out of his blowhole to the surface.
The team lands on a beach and finds the source of the Krabby Patty scent from Burger Beard's food truck. Burger Beard reveals he had stolen the formula by using the book to rewrite the story, and then uses it to banish the gang to Pelican Island. SpongeBob uses the page that Sandy had to transform himself and the others into superheroes with special powers—The Invincibubble (SpongeBob), Mr. Superawesomeness (Patrick), Sour Note (Squidward), The Rodent (Sandy), and Sir Pinch-a-Lot (Mr. Krabs)—but leave the page and Plankton behind. They return and find Burger Beard, who drives away with the formula, forcing the team to give chase. During the ensuing battle, the team manages to destroy the book, but Burger Beard overpowers them one by one.
Plankton then appears as a muscle-bound hero named Plank-Ton and assists them. Plankton and SpongeBob create one final attack to defeat Burger Beard and retrieve the Krabby Patty formula. After sending Burger Beard flying to Bikini Atoll, Plankton returns the formula to Mr. Krabs, having learned the value of teamwork. The gang uses the final page's magic to return home to Bikini Bottom. With Krabby Patties back, the city is finally returned to normal, and Plankton re-assumes his role as business rival and villain.
Cast[edit]
- Antonio Banderas as Burger Beard
- Tom Kenny as SpongeBob SquarePants
- Clancy Brown as Mr. Krabs
- Rodger Bumpass as Squidward Tentacles
- Bill Fagerbakke as Patrick Star
- Carolyn Lawrence as Sandy Cheeks
- Mr. Lawrence as Plankton
- Matt Berry as Bubbles
- Jill Talley as Karen
- Mary Jo Catlett as Mrs. Puff
- Lori Alan as Pearl Krabs
- Riki Lindhome and Kate Micucci (Garfunkel and Oates) as the Popsicles
- Dee Bradley Baker as Perch Perkins and other fish characters
- Nolan North as Pigeon Cabbie
- Paul Tibbitt (US), Joe Sugg (UK) and Robert Irwin (Australia)[9] as Kyle
- Peter Shukoff as Painty
The seagulls were voiced by Peter Shukoff, Lloyd Ahlquist, Carlos Alazraqui, Eric Bauza, Tim Conway (in his final film role), Eddie Deezen, Nolan North, Rob Paulsen, Kevin Michael Richardson, April Stewart, Cathy Cavadini, Cree Summer, Billy West, Alan Carr (UK), Caspar Lee (UK) and Stacey Solomon (UK). Slash also appeared in a trailer for the film. His scene was ultimately cut from the final product, but it was presented among the special features for the Blu-ray release of the film.[10]
Production[edit]
Development[edit]
Following the release of the first movie in 2004, producer Julia Pistor stated that a sequel film was unlikely, despite the film's successful box office performance.[11] In a 2009 interview with Digital Spy, SpongeBob SquarePants writer and executive producer Paul Tibbitt was asked about the possibility of a sequel.[12] He said, 'I think that they are talking about doing that, but I haven't signed up for anything. We just feel like we've told so many stories, and SpongeBob exists so well in this short 11-minute form.'[12] He further stated that making another film was 'a huge challenge.'[12] However, Tibbitt denied that a sequel is not impossible to emerge, saying 'I wouldn't say no, but I don't know if there will be another one.'[12] In 2010, Nickelodeon reportedly had been approaching the crews of the show to make another film adaptation.[13] The network had long wanted to partner with Paramount Pictures to release another SpongeBob SquarePants film to help reinvigorate the series from its declining ratings.[14] However, internal disagreement delayed collaborations.[13][14]
On March 4, 2011, in an article by the Los Angeles Times, it was first reported that Paramount had 'another SpongeBob picture' in development.[15] Several months later, in July, Paramount formed its new animation unit, Paramount Animation, in the wake of the commercial and critical success of the 2011 computer-animated film Rango, and the departure of DreamWorks Animation upon completion of their distribution contract in 2012.[16]Philippe Dauman, the president and CEO of Paramount and Nickelodeon's parent companyViacom, officially announced on February 28, 2012 that a sequel film was in development and slated for an unspecified 2014 release, saying that 'We will be releasing a SpongeBob movie at the end of 2014.'[17][18][19] Dauman added that the film 'will serve to start off or be one of our films that starts off our new animation effort.'[17] Nickelodeon expected the film to do much better in foreign box office than the 2004 feature, given its increasingly global reach.[14][20] Dauman said, 'This will continue to propel SpongeBob internationally.'[14]
Production was announced on June 10, 2014 under the title The SpongeBob SquarePants Movie 2,[21][22] which some trade publications began referring to as SpongeBob SquarePants 2.[7] The film's executive producer is series creator Stephen Hillenburg, who departed from the show as its showrunner in 2004 following the release of The SpongeBob SquarePants Movie. He no longer writes or runs the show on a day-to-day basis, but reviews each episode and delivers suggestions.[23][24] However, in a 2012 interview with Thomas F. Wilson, Hillenburg stated that he was helping in writing the film.[25] Tibbitt later revealed on Twitter in late 2013 that 'Steve [Hillenburg] and I wrote the new movie together and he has been in the studio everyday working with us.'[26] Production on the film was expected to finish in November 2014.[27] After production on the film finished, Hillenburg returned to the show as an executive producer, now having greater creative input and attending crew meetings.[28][29]
Casting[edit]
The regular series main cast members returned to reprise their roles from the series and the previous 2004 film.[7] In August 2013, casting directors from Marty Siu Casting began casting calls for the background extras for the live action scenes.[30][31] On September 21, 2013, it was reported that Spanish actor Antonio Banderas had been cast for a live-action role as Burger-Beard the pirate.[32][33][34]
Animation[edit]
The animation for the film was handled overseas by Rough Draft Korea in South Korea.[35] Creative supervisor Vincent Waller said, 'We're getting animation back that is looking terrific.'[36] The sequel is a combination of traditional animation and live action as its predecessor was,[37][38] and also used computer-generated imagery (CGI) handled by Iloura VFX in Melbourne, Australia to render the characters in 3D.[39][40]Sherm Cohen returned to work on the sequel, when he previously worked on The SpongeBob SquarePants Movie as a character designer and the lead storyboard artist and left the show in 2005.[41] Series animation directorsTom Yasumi and Alan Smart worked on the film's exposure sheets.[42] Most of the character layout crew of the film are from the series.[43]
In a preview of upcoming Paramount films held in 2012, it first exhibited the film as a '3D feature film' with 'CGI-like animation'.[44] Following the release of the SpongeBob SquarePants 4-D: The Great Jelly Rescue, a 3D short film released in early 2013 at the Nickelodeon Suites Resort Orlando, executives also talked of continuing the use of 3D in the film.[45] Director Tibbitt was asked on Twitter concerning what animation technique the film would have, and responded, '[I] don't wanna spoil anything but [it is] mostly 2D.'[46]
The film contains a stop-motion animation sequence by Screen Novelties.[47][48] The company had previously produced a clay animation scene for the first film, the mixed-media opening for 'Truth or Square', and the entirety of the stop-motion special It's a SpongeBob Christmas![49]
In March 2014, Paramount screened live-action footage from the film during the National Association of Theatre Owners' CinemaCon. News websites report that the film would be CGI-animated,[50] with an Internet Movie Database staff commenting, 'When Paramount announced there would be a new SpongeBob SquarePants movie, the assumption was that it would be animated (like all other incarnations of SpongeBob). The very brief footage from tonight's presentation suggested otherwise – it looked as though this was a CGI/live-action hybrid akin to Alvin and the Chipmunks, Yogi Bear, The Smurfs, etc.'[51] In an article published by ComingSoon.net, author Edward Douglas wrote: 'The CGI animation just looks weird.'[52] Philippe Dauman said that the CGI elements are intended to 'refresh and give another boost' to the characters.[53]
Filming[edit]
The film features live action scenes directed by Mike Mitchell.[54] Filming began on September 30, 2013 and lasted through November 5, 2013, on various locations in Savannah, Georgia and Tybee Island.[55][56][57] The Savannah Film Office first announced that the film would shoot live action scenes in Savannah for 40 days on July 11, 2013.[38] Will Hammargren, location specialist for the Savannah Film Office, said the film was expected to contribute $8 million to the city's economy, including booking at least 5,600 hotel room nights.[58][59]
On September 30, 2013, the start of production filming was interrupted when film services director Jay Self was dismissed.[60][61] According to a memorandum from Joe Shearouse, bureau chief of the leisure services department of Savannah, Self was fired for his 'failure to properly plan and manage the arrangement for the movie.'[60][62] It accused Self of shortcomings surrounding the filming and also cited complaints from local residents of Savannah.[60][62][63][64] Another reported reason for Self's dismissal was a disagreement between Paramount and the Savannah Film Office, about the deal of granting the local businesses to negotiate with Paramount for potential business losses during filming.[65]
In preparing the filming location in the downtown, the film crew painted storefronts along Broughton Street to resemble a 'beach community' called 'Salty Shoals'.[58][66][67][68] Jay Self said, 'They're trying to make it look like it's right at the seaside.'[67] The Jen Library and Trustees Theater, a landmark situated on Broughton Street, of the Savannah College of Art and Design (SCAD) was converted into a sea museum.[66] Paramount first approached SCAD to utilize the Jen Library for a scene back in August 2013.[69] Once SCAD approved, the studio's art department transformed the buildings in choice for the film.[69] It remained open to students during filming, while the 'SCAD' letters atop Trustees remained untouched.[69] Other establishments, like flower shops, convenience stores and coffeehouses, were converted to surfing, fudge and buoy shops, respectively.[70] Self said, 'The changes are temporary with all buildings scheduled to be restored to their original colors after filming is complete.'[67][71]
Filming began on October 9 in the downtown, where parts of the Broughton Street between Montgomery Street and Habersham Street were closed through October 18.[66][72][73] Prior to October 9, residents were given yellow flyers handed out by the production crew to detail the inconveniences of the filming would have on them.[74] Actor Antonio Banderas appeared as a pirate and was filmed on a pirate ship with wheels for a car chase scene.[66][74][75] At one point, a film crew member caused an accident that damaged a downtown building and rushed a woman to the Candler Hospital.[76][77] William Hammargren, with the Savannah Film Services office, said that Paramount was issued a permit to use motorized vehicles within certain areas closed for filming, but the permit did not extend to the lanes.[76]
Filming in the downtown ended on October 18, when a raffle was also held, with City Mayor Edna Jackson announcing the winners.[78] The prizes include: a SpongeBob SquarePants-themed party, bicycles, a vacation at Marshall House, dinner at Savannah Bistro, gift certificates, and a 60-inch television.[78] After filming in the downtown, the production received mixed response from local businesses located in filming areas.[65] A concern raised by business owners was the choice in dates for shooting as October is 'a big month for merchants along Broughton.'[65] Some merchants suggested February, July, or August as prime filming dates.[65]
Filming for the scenes resumed on October 21 on Tybee Island.[78][79] The producers of the film were permitted to film on Tybee Island after meetings held at the Tybee Island City Hall with businesses and residents that imposed concerns about the possible effects of the filming, and also apprehensions about sea turtle safety.[80][81] Musician Slash of the band Guns N' Roses was seen on set at the Tybee Pier for filming, although he does not appear in the final film.[82] The film crew later moved to Strand Avenue for a chase scene with extras on bicycles.[82]
Spongebob Out Of Water Full Movie
Music[edit]
Soundtrack[edit]
Music from The SpongeBob Movie: Sponge Out of Water | ||||
---|---|---|---|---|
EP by | ||||
Released | January 27, 2015 | |||
Recorded | 2014 | |||
Genre | Hip hop | |||
Length | 10:28 | |||
Label | ||||
Producer | Pharrell Williams, Chad Hugo | |||
SpongeBob SquarePants chronology | ||||
|
It was announced that Pharrell Williams would write a song for the film with his band N.E.R.D, which is titled 'Squeeze Me'.[83] A five-song EP was released digitally on January 27, 2015.[84]
Music from 'The SpongeBob Movie: Sponge Out of Water' - EP | |||
---|---|---|---|
No. | Title | Artist | Length |
1. | 'Squeeze Me' | N.E.R.D | 2:34 |
2. | 'Patrick Star' | N.E.R.D | 1:46 |
3. | 'Sandy Squirrel' | N.E.R.D | 3:01 |
4. | 'Team Work' | Tom Kenny & Mr. Lawrence | 1:07 |
5. | 'Thank Gosh It's Monday' | Tom Kenny, Bill Fagerbakke & Clancy Brown | 2:40 |
Score[edit]
The original score for the film was composed by John Debney.[85]On February 16, 2015, Debney announced via Twitter that Varèse Sarabande would release his score to the film digitally on March 23, 2015 in the UK and March 24, 2015 in the US, along with a physical release on March 31, 2015.[86]
The SpongeBob Movie: Sponge Out of Water (Music from the Motion Picture) | ||||
---|---|---|---|---|
Film score by | ||||
Released | March 23, 2015 | |||
Recorded | 2014 | |||
Genre | Film score | |||
Length | 48:49 | |||
Label | Varèse Sarabande | |||
John Debney chronology | ||||
|
The SpongeBob Movie: Sponge Out of Water (Original Motion Picture Score) | ||
---|---|---|
No. | Title | Length |
1. | 'Burger Beard on Island' | 3:09 |
2. | 'Burger Beard Starts to Read' | 0:35 |
3. | 'Plankton Attack / Tank Defeat / Giant Robot / Trying to Steal Formula' | 4:07 |
4. | 'Torturing Plankton / Refund' | 3:18 |
5. | 'Escaping in a Bubble' | 2:33 |
6. | 'The End / Get Him' | 5:06 |
7. | 'Going to Sleep / Inside SpongeBob's Brain' | 2:09 |
8. | 'Getting the Key / Plankton Rescues Karen' | 1:53 |
9. | 'Intro Bubbles' | 2:08 |
10. | 'Stealing Formula Back / Pirate Ship and Food Truck' | 2:53 |
11. | 'My Very Own Food Truck / Sandy Proposes Sacrifice' | 1:49 |
12. | 'Bubbles to the Rescue / Beach Search for Krabby Patties' | 3:56 |
13. | 'Beachfront Antics / Bike Path Encounters / Home of the Krabby Patty' | 2:54 |
14. | 'Story Rewrites / Invincibubble' | 2:50 |
15. | 'Chasing Burger Beard / Team Worked' | 4:04 |
16. | 'Not So Fast Burger Beard / PlankTON / Real Teamwork' | 5:47 |
Release[edit]
Marketing[edit]
In March 2012, in regards to consumer products for the film, Dauman stated, 'This will be a Nickelodeon-branded movie. We'll license the toys, but we own it.'[14] On June 10, 2014, the film's first teaser poster was released, along with the announcement of its new title, The SpongeBob Movie: Sponge Out of Water.[39] The poster is a nod to the famous Coppertone sunscreen advertisements from the 1950s, in which a dog is seen pulling the bikini bottom off of a blonde girl.[87][88]
At the San Diego Comic-Con International held on July 25, 2014, Paramount Pictures released the first footage from the film, as part of their presentation at Hall H, with Tom Kenny, SpongeBob's voice actor, hosting the panel.[89] On July 31, 2014, the film's trailer was released.[90] Throughout the year, trailers and 15 second teaser posters of the movie were shown.
Theatrical release[edit]
The SpongeBob Movie: Sponge Out of Water was originally planned for a 2014 release to celebrate the 10th anniversary of the first film.[17] However, on August 1, 2013, in an article in The Hollywood Reporter, Paramount Pictures announced that the film would instead have its official wide release in theaters on February 13, 2015 in North America to avoid competition of the 2014 reboot of Teenage Mutant Ninja Turtles.[7][91][92] On June 5, 2014, the film's release date was moved up one week to February 6, 2015 in order to avoid competition with 20th Century Fox's Kingsman: The Secret Service and Universal Pictures' Fifty Shades of Grey, which premiered the following week.[93] The film premiered on January 28, 2015 in Belgium and the Netherlands, and on January 30, 2015 in Iceland, Mexico, and Taiwan.[94]
Spongebob Sponge Out Of Water Full Movie Youtube
International releases[edit]
On February 24, it was announced that Paramount Pictures, in partnership with TG4, would release the film in the Irish language, alongside the English release.[95] This marked the first time a major film studio released an Irish-language version of a movie.[96] On March 27, 2015, SpongeBob – An Scannán: Spúinse as Uisce premiered in Ireland.[95]
Home media[edit]
The SpongeBob Movie: Sponge Out of Water was released on Digital HD on May 19, 2015. It was then released on Blu-ray (2D and 3D) and DVD on June 2, 2015.[97] The cover of the home media releases (excluding the Blu-ray 3D release) and digital releases is the principal theatrical poster. The only difference is that Plankton is on the cover as his super hero alter-ego, Plank-Ton.
Reception[edit]
Box office[edit]
The SpongeBob Movie: Sponge Out of Water grossed $162.9 million in North America and $162.1 million in other territories for a total gross of $325.1 million worldwide, against a budget of $74 million.[5] It outgrossed the first SpongeBob movie, which made $140.2 million worldwide,[98] and is the second-highest-grossing film based off an animated television show, behind The Simpsons Movie ($527.1 million).[99]
Deadline Hollywood calculated the net profit of the film to be $99.8 million, when factoring together all expenses and revenues for the film.[100]
North America[edit]
The film was originally expected to gross around $35 million in its opening weekend;[101][102][103] however, the film exceeded expectations on its opening day.[104][105] In its opening weekend the film grossed $55.4 million, playing in 3,641 theaters, with a $15,206 per-theater average and finishing in first place at the box office. It beat out American Sniper, which grossed $23.3 million, marking the first time in four weeks a film other than American Sniper was the top-grossing film. In its second weekend, The SpongeBob Movie: Sponge Out of Water earned $31.4 million, marking a 43.2% decline, and was overtaken by Fifty Shades of Grey and Kingsman: The Secret Service, dropping to number three. On its third weekend, the film stayed at number three, grossing $16.5 million. In its fourth weekend, the film was number three again, with $10.8 million.[106]
Other territories[edit]
A week ahead of North America release, the film was released in five markets for the three-day weekend of January 30 in other territories, and earned a gross of $8 million. $6.7 million of that came from a strong debut in Mexico.[107]Cara mendownload buku gratis di play store. For its second weekend of February 6, 2015, the film earned itself a gross of $16.2 million playing in theaters of 25 markets. The film opened at #1 in Brazil and Spain by grossing $4.6 million and $1.9 million, respectively, while maintaining the top spot at the box office of Mexico by earning $2.4 million.[108] In the UK the film was released on March 27 in time for the Easter school holidays and opened at #3 behind Cinderella and Home.
Critical response[edit]
On Rotten Tomatoes, the film scored an approval rating of 81% based on 103 reviews, with an average rating of 6.5/10. The site's critical consensus reads, 'The SpongeBob Movie: Sponge Out of Water won't win over many viewers who aren't fans of the show, but for the converted, it's another colorful burst of manic fun.'[109] On Metacritic, the film received a score of 62 out of 100, based on 27 critics, indicating 'generally favorable reviews'.[110] According to CinemaScore, audiences gave the film a grade of 'B' on an A+ to F scale.[111]
Andrew Barker of Variety praised the film for 'never even feigning a lick of seriousness'. Although he felt the film was too long and the CGI sequences to be inferior to the traditionally animated ones, he said the film would prove 'popular among the franchise's key grade-schooler and head-shop-owner demographics.'[112] Michael Rechtshaffen of The Hollywood Reporter was more negative, saying the film's two animation styles failed 'to create a cohesive whole in spite of all the inspired non sequiturs,' stating 'the live action/CG stuff never satisfyingly jibes with the traditional nautical nonsense down below.' He opined that although the film was inferior to the first one, it would likely be a box office success.[113] Barbara VanDenburgh of The Arizona Republic gave the film three-and-a-half stars out of five, saying 'The plot is straightforward, predictable and slight, no more intricate a plot than a 15-minute TV episode would have. It's the freewheeling madness of its execution that makes the movie such a trip – as in acid trip.'[114] Elizabeth Weitzman of the New York Daily News gave the film four out of five stars, saying 'The spirit of the series remains true: cheerfully random jokes, blink-and-you'll-miss-them references and, above all, a silly, stubbornly sentimental streak that only the crabbiest cynic could dismiss.'[115] Colin Covert of the Star Tribune gave the film three out of five stars, saying 'The SpongeBob Movie: Sponge Out of Water weaves a silly – and often funny – spell. It's a scrappy little B-movie that zips along rather entertainingly.'[116] Jen Chaney of The Washington Post gave the film two out of four stars, saying 'There's something about this project that, despite checking all of the requisite plot and sensibility boxes, doesn't convey as an organic work of SpongeBob-ishness.'[117]
Nicolas Rapold of The New York Times gave the film a positive review, saying 'While less fluid and fresh than its 2004 predecessor, the new film displays enough nutty writing and sheer brio to confirm the stamina of its enduring and skillfully voiced characters.'[118] Gwen Ihnat of The A.V. Club gave the film a B+, saying 'The visual effects and fast and furious quips combine for that rarest of releases: one that both parents and kids can enjoy (just like the show), leaving viewers of any age hoping that the next SpongeBob movie isn't an entire decade off.'[119] Alonso Duralde of The Wrap gave the film a positive review, saying 'The jokes are consistently hilarious, with enough variety to tickle the funny bones of old salts and young fishies alike.'[120] Claudia Puig of USA Today gave the film two out of four stars, saying 'The live-action elements—mostly in the person of Antonio Banderas as cranky pirate Burger Beard, who spends most of his time addressing a flock of seagulls – don't mesh seamlessly with the animated sequences. It almost feels like two movies awkwardly melded together.'[121] John Semley of The Globe and Mail gave the film two-and-a-half stars out of four, saying 'The SpongeBob Movie: Sponge Out of Water mostly nails what has always made the character, and his brightly coloured underwater world, so endearing: the abundant innocence, the welcome lack of cynicism and the out-and-out stupidity.'[122] Christy Lemire of RogerEbert.com gave the film two-and-a-half stars out of four, saying 'The SpongeBob Movie: Sponge Out of Water remains true to the surrealism of its animated television roots. But it also tries to force a live-action element which isn't as comfortable a fit as a certain pair of symmetrical trousers.'[123]
Accolades[edit]
List of awards and nominations | |||||
---|---|---|---|---|---|
Award | Category | Recipient(s) and nominee(s) | Result | ||
Nickelodeon Kids' Choice Awards | Favorite Animated Movie | Paul Tibbitt | Nominated | ||
Nickelodeon Mexico Kids' Choice Awards | Favorite Movie | The SpongeBob Movie: Sponge Out of Water | Nominated | ||
British Academy Children's Awards | BAFTA Kids' Vote - Feature Film | The SpongeBob Movie: Sponge Out of Water | Nominated | ||
43rd Annie Awards[124] | Animated Effects in an Animated Production | Brice Mallier, Paul Buckley, Brent Droog, Alex Whyte, Jonothan Freisler | Nominated | ||
Voice Acting in an Animated Feature | Tom Kenny | Nominated |
Other media[edit]
Video game[edit]
A video game featuring a plot set directly after the film, titled SpongeBob HeroPants, was released in North America on February 3, 2015 for the Nintendo 3DS, Xbox 360, and PlayStation Vita.[125] The game is published by Activision. A mobile game, titled The SpongeBob Movie Game: Sponge on the Run, was released on January 22, 2015 for iOS and Android. It is an endless running game based on the film, featuring several mini games.[126]
Prequel[edit]
In a February 2015 interview discussing the film's financial success, Megan Collison, president of worldwide distribution and marketing at Paramount, stated the possibility of a third film was 'a good bet'.[127] In another interview, Paramount vice chairman Rob Moore remarked, 'Hopefully, it won't take 10 years to make another film.'[128] On April 30, 2015, via Twitter, Viacom announced a third SpongeBob SquarePants film was in development.[129] On August 3, 2015, via Twitter, Vincent Waller confirmed that the sequel is in pre-production and that Paul Tibbitt was confirmed to return as director from a story by him and Kyle McCulloch.[130] It was announced in November 2015 that the film would be released on February 9, 2019. On November 11, 2015, Waller confirmed via Twitter that the film will be mostly traditionally animated with CGI/live-action sequences.[131] Screenwriters Jonathan Aibel and Glenn Berger said in a January 2016 interview that they are working on the third SpongeBob movie.[132] Storyboard artist Bob Camp said in an April 2016 interview that cartoonist John Kricfalusi is developing a new Ren & Stimpy cartoon to precede the movie;[133] however, Kricfalusi denied on Twitter that he's making a cartoon.[134] In March 2017 at CinemaCon, it was announced that the movie had been delayed to August 2, 2019.[135] On March 28, 2017, Yahoo! Movies reported on its Twitter feed that the film had been given the final title of The SpongeBob Movie;[136] current showrunner Waller later suggested that this was a placeholder title.[137] On May 29, 2017, Kristen Caplan was announced to be the production manager of the film.[138]
On December 19, 2017, it was announced that the movie had been pushed back again to July 31, 2020.[139] In April 2018 at CinemaCon, it was announced that the film would be called The SpongeBob Movie 3: It's a Wonderful Sponge, that it was going to be directed by Tim Hill, and that it would have a new release date of July 22, 2020,[140][141] which was later moved up to July 17, 2020[142] and then May 22, 2020.[143]
At the VIEW Conference in Turin, Italy, Paramount Animation president Mireille Soria announced that the film will be an origin story of SpongeBob meeting his friends for the first time at Camp Coral, and the film will use full CGI animation provided by Mikros Image for the underwater sequences, a first for the film series.[144]Hans Zimmer was also announced as the new composer for the film.[145] On January 22, 2019, it was confirmed that production on the film had officially begun.[146]
References[edit]
Spongebob Squarepants Movie Soundtrack Youtube
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Now [Hillenburg] has an office next to mine, and attends meetings.
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- The SpongeBob Movie: Sponge Out of Water on IMDb
- The SpongeBob Movie: Sponge Out of Water at Box Office Mojo
- The SpongeBob Movie: Sponge Out of Water at Rotten Tomatoes
- The SpongeBob Movie: Sponge Out of Water at Metacritic